Part two of:
An Integument for the DeadIn astrology, it is the sign of Cancer and Libra that preside as Cardinals in the arrangement of the rectangular wallflower, which also shows the (s) application (from Thor) correlated to the masculine and feminine geometric locations. In discerning the arrangement, it behooves the writer as to why the masculine influence has become predominant, but according to the work done and attention to accuracy in construction based on much history, this seems to be the configuration that is analogous to our human anatomy. It is then assumed that our history hides the elements of control, or that of the mathematical codes that arrange the constellations, the twelve houses becoming the yearly orb of influence.
Attempting to correlate the orb that Osiris represents, and the possible ascension of the three-brained being can begin with the Scorpion, whose claws are said to occupy part of the sky which is set aside for Libra, the seventh sign also called Balance, or Scales. In the lexicon, libido is a neighbor which is rooted to the word love, and the manifestation of sexual desire. It may be assumed here that the love is associated with the split in the claws, as seen where the Crab rests at the top right of the Egyptian Mummy in a starboard position. (see part one)
In mythology, it is Apollo that kills a beautiful youth that is loved named Hyacinthus, but it is also said that the hyacinth grew from the blood of Apollo. It is also said that this plant is perhaps a larkspur, as in the Delphinium, or dolphin; a sword lily or gladiolus; or a wild iris as a rainbow in the iris of the eye. The development of the third eye that seems as the Cyclops is hinted in etymology by associating the hyacinth bean,
Dolichos lablab, to the root (
bha-bhā- aruspex* and
stā- lablab*). The hyacinth is strongly associated with the gemstone, or crystal throne as described in the book of the Bible along with archeology as in Rameses, and the placement of the four beasts.
Although, it seems that religions such as Christians, Roman Catholics, Judaism, even Moslem to some degree or another stem from these same ancient practices of attempting to balance church and the state of being. It is Anubis that is known to be the Lord of the Mummy Wrappings in which the twisted pole is created where the sum concept of wealth is weighed against the sum of the evil, a bazaar arrangement that is preserved as the analect of logic that comes together for the legs, a form of dominion for the many overlaid concepts related to angels and concubines. It is here that the wild iris becomes the image of death (God’s own image) and destruction working hand in hand.
The number nine is repeatedly used in correlation to both senses of the astrological sign of Cancer, and the arranged moon of Libra, or ninth month of twelve. As in the ancient Babylonian ritual of judging the dead which came 2000 years before Christ (Jesus of Nazareth); the Book of the Dead is seemingly also descriptive of the Book of Life that is described in Biblical text that is tied to the post of God for the electric Lord removing the proportion of reality, and if you divide 9 in half, one may see the possible relationship remembering that our Arabic numerals are limited by the cipher at this position. It is also crucial to remember the pentagon association to this arrangement and the assumed powering up of the crystal pyramid.
There are two associations that should be discussed. One is mythology and Hyades that also represents the five daughters of Atlas and sisters of the Pleiades, placed by Zeus (Tuesday) into the stars. The number seven is again associated with Pleiades by confusion between the seventh sign and seven daughters of Atlas, (Maia, Electra, Celaeno, Taygeta, Merope, Alcyone, and Sterope) which is an open star cluster in the Taurus constellation or consideration of the Bull fight between the eyes of mythology and the four eyes for Cancer (fourth sign) transformation of the tail, from Crab to Scorpion. The constellation Libra does not seem to be associated in any sense that relates other than the rainbow shapes of stars that are often criss-crossed for reference.
The second association is the throne or chair that is described that oversees the nine angels. This arrangement in sense may be analogous to the Calvary as in nature with the Calyx, the mathematical arrangement of the eyes as with the bloom of the flower bud. In the mythological tone, Atlas becomes the polar strength for the segregation and inquisition of the beauty spot. This rests at the crossbeam which is associated with the crucifixion that is assumed to be the death, and is often seen depicted as the inverted ankh on many of the cartouches from various Egyptian relics. The post (bitt) on the
bheid- root travels from the emphasis on the Old Testament where Belshazaar was found wanting (book of the dead), to the New Testament in the garden east of Jerusalem (book of life) at the foot of the Mount of Olives called Gethsemane.
The collection of holy water can be associated with the angels described for the inverted ankh or ansate cross that becomes the zamindar, or that which is firmly established as punishment. The conversion and transformation of life into the prism of mental control is performed by raising the crossbeam of power as established in architectural history for the metope remembering that the pole is descriptive of the difference between tomorrow and yesterday as we travel back in time in constant fashion unable to see even a few moments into the future for this shows the true color of Thor’s root construction, and the wrappings that are spun by 10 and converting the sirdar into the dunderhead.
12-affirm-confirm-dharma-dharna-farm-fermata-firm-infirm-sirdar2-tahsildar-throne-zamindar2-et-
dher- to hold firmly, support
There are many senses available for interpretation for the consecration of the blood and moving of the farm for the firmament adjacent death and destruction, and the feet of the monolith of inverted justice that includes the usurpation of both ends of the rainbow. One is the sense of the tack or nail infesting the earth, and the conversion of the quill into the barbaric power of a false crucifixion that now takes the beeswing and converts this into the angels and archangels first with the making of the greedy looking cherubim, or being of the second order. This is seemingly developed from the seraphim, a three-winged creature while the ancient Egyptian god Serapis rules the lower world. It is the serape that is analogous to the colorful rainbow or coat of colors associated with the story of Joseph who is sold for twenty pieces of silver in Genesis 37: 23-29.
Out of Egypt the ego is born, and the parting of the sea. The coat of many colors was left as an empty pit, and the usury of Osiris was manifested where the division of death became acceptable as analogous to driving spikes as the sword lily. This is also comparable to the inverted Cancer constellation, and the letter Y which holds the embedded hydrogen water bond in tetragrammation, and a mirrored code for the elevation or ascension of the holy bubble. The why seems to become confuted into a masculine hyson becoming the new Helios, an idea of death used as a prop or defensive posture concealing a lie to excuse the segregation of Nature. On one side, the earth is seen as resource, on the other, food with no consideration of the netherworld that is created.
The archangel takes the rib or curvature of the bone and creates massive destruction as food, all on the assumption that an ancient falsified story of death is all the knowledge needed for the suspension in the why which is also marked by its root k
wo-. This can be assimilated into the kindle for the new God on the surface of the water where appearance slaughters truth capably for the repeated battle and lust for the flesh and desire to eat of dead body from living tissue. This story is reverberated by the Anabaptist into death as Savior, or to be saved, then baptized excluding all who do not obey and condemning all who do not accept. This is simply the institution of the Egyptian god Amen, or Amon, who has the head of a Ram, but also can be associated with the obelisk or one-legged Osiris in which he is seen standing to the side hiding the view of the second leg, and possibly the second order of the cherubim. Osiris is also seen holding a shepherd’s crook and scythe.
The contradiction that is described between the Spirit and the flesh seems a permanent presence in our being creating the feelings of flight, creativity, and imagination that are seemingly forever bound to the body. This sense is carefully altered from Nature to the box, wherein earth becomes the prop and has no other value. It may be that the observer only sees Earth as phantasm in relation to Platonic philosophy and the distortion of the five senses. Once the programming is installed as a child, this then contributes to the haunting nature often expressed in trivializing the trusting planet. These constant variances and emulations feed on the flesh where the family is principally built on greed as described in the 5th chapter of Galatians in the book of the Bible. Here it also states that the fruit of the Spirit is love, joy, peace, longsuffering, gentleness, goodness, faith, meekness, and temperance: against such there is no law; from chapter five verse 22 and 23. In effect, this is overlaid upon greed for use and may serve as the wrath of the personal lamb where all these feelings are felt falsely.
With this twisting guidon, in one sense, a circumcision, sexual desire if fitted over the Spirit to hide the fleshly desires instituted for profits related to flesh. The face of shame becomes the solid portion, the crenelated wall between two spaces, and the infirmary, as seeing the merlon in a particular way. In this subjective, only the crowns are seen for the Merope and mummification. The more trained student will notice that for each inversion of the cranny, a space is required. It can be correlated to the
ana- sense for the extremists and radicals that hold the weight of jackals that are considered to be performing menial tasks while the moon-god holds the mirror for the plumb or plumage “just right”, as depicted in the Michael Holford/British Museum reference where a scene of the Book of the Dead shows Anubis and Thoth dating from 1100 B.C.
In that sense, the stealing of the feminine spirit as in the well of life or well-being comes with the sleigh of hand and analogous to butchery of the blossom and natural arrangement of the geometric solid now serving as the new head for an altered machine, and one that is mostly bite. The shepherd’s crook seems to match the port, and the scythe belongs to the starboard Thoth, which may represent the Lord of theology or conservative fraxinella that blinds the view. In this example, the root sounds reveal a condoning tone (see
deik-) related to the lingo brought forward from the lizards that haunt the base of the pillars over laying the tomb. As described in mythology, and by the “Sun and Moon Signs” references, the Libra is also defined as
ziba. anna, which means, “horn” of the scorpion. This is in effect the transformation clearly defined by Native Americans in the head dress, in particular, in the Siouan languages where a Ponca chief is seen with one horn protruding out one side of the head dress analogous to the narwhal male influence. The altered power of the mirrored arrangement seems to be predominantly in love with the future as though it is there for the taking and without definition, and a desperate attempt to escape from oneself.
It seems the moon-god is playing two roles in the transformation, as depicted by the astrological sign of Cancer, and by Thoth who emulates the petals or barbs of a perceived balance. This can be traced back through etymology with the comparison between the feather and the hippopotamus (horse, hippocampus +
potamos, river) in the root
pet-, which serves as the vacuum of gravity defined as the eager, “well-disposed” and the “rushing water”. Although this trail may seem vague or even complicated, it begins to make more sense after study when it is correlated geographically, as with the ansate cross of question. This begins to be described with the concept of the compass, a type of magnetic marker for position, and to compare this to the bubble in a carpenter’s level, as they have both similarities and differences. The attachment of the head dress, both Egyptian and Native American present a message about demeanor where one is passim, as to pass or cover the truth in a form of acceptance.
The creation of the ansate cross holds the mystery for the patina that is the ascension of the sphere upon the bitt, and often seen held in the hand of women of great power principally Egyptian. It is analogous to the Indo-European root that follows in the lexicon with the addition of the letter e that is reversed signifying the mirror, here described as
petæ-, harebell*, “the length of two arms stretched out”, which is associated with the second Hindi
pān, from Sanskrit
parnam, feather, which is tied to the root
per2- halo*. The body is split in the middle section, as with the conception of circumcision revealing the legs of a hoofed mammal and above, the transported head of a human goat with horns. A tablet for a pan may be sensed, a standing plate or centerfold.
As the tsimmes element is applied as posited, etymology seems to reveal the basic construction for the den in a marsh near Lerna in the Peloponnese which may have been taken by buckwheat and the subjected entrapment of Hydra amidst the battle. To subject further, the tsimmes is directly associated with the instance of suffering and the peering of rushing forward averted to looking back, and analogous to the confusion between standing on earth at the equator facing east, and knowing that north is left. But in the twist, it is the magnetic influence that may have been altered in the building of the tsimmes sound construction which marks three roots of question, two that if joined (
de- +
en-), create the den for the root
bheid-, and the fission oddly enough. This is then converted into the wheel of the Zodiac, and the time tables that mirror time as seen through the preferred looking glass.
Again, in the book of the Bible in Galatians 5:9, it is said, “A little leaven leaveneth the whole lump.” This aligns with the inner root that is defined as “to eat” and marked by the introit that monitors the glorified passage over the rainbow’s hump and the exploding, empty bubble.
7-de-deteriorate-eisteddfod3-tatoo1-to-too-tsimmes1-et-
de-, bias*
The Welsh word eisteddfod has four roots but only two are attached to the making of the word, from Welsh
eistedd, sitting, and this is altered into the beckoning and wanton of death and the feeding from it. In the mirror, the eisteddfod becomes the root
ed-, which marks the fourth eisteddfod meaning “to eat” originally “to bite”.
14-anodyne-comedo-comestible-eat-edacious-edible-escarole-esculent-esurient-etch-fret-pleurodynia-prandial-samoyed-et-
ed- carat*, to eat, to feed on, devour
From here, two eggs are laid, one is the root
eg. This is the “I” in the ego. The second, holds the ghost in its midst which is
eghs. Here eisteddfod is listed the fourth time as seemingly a marker for what is occurring with the tsimmes element and the development of seeing everything in the perceived world as extra aversive to the egg or sphere of influence as a drunk beholden to the devil’s walking stick and to bait the Iānus, the god of doors and the beginning of the year as seen when Pan is manifested in mythology. In this particular pathos, the sedition marks the sea water that is floating on the crossbeam, pushing the alpha onto the beta for a new constable.
The attachment of the root
en- instills the thought of the immortal unknown that is expressed with the intended introspection wrapped around the root
ne- and the nescience that is manifested for the Sanhedrin body that emulates its own baptism of fire and the notes revealed by the first two eisteddfod associations.
“The rain in Spain falls mainly on the plain.”
As in the language, the span of the
bheid- wraps a group of 21 roots all beginning with the letter e and beginning with
ed-, and ending with the
ūber, meaning fertile, and representing the “breast” of mammalians with the root
euæ-dh-r., and the inverting of the well from side to side. Inside the grouping of the e-roots rests
el- and the elbow which is displayed on the lid of the Egyptian coffin along with the depiction of the Book of the Dead scene from the British Museum. In this analogy, the exalted Baal that has been established may have become the Beelzebub, a fallen angel in Milton’s “Paradise Lost”, which is the evil spirit that lurked on the face of the water next to Satan in power.
A classical evaluation of the power of the curve as in the rib removed from Adam and the Spanish bead that gives life to simple forms is mirrored off the cove of the church in sense along with the eating of the body. In the church, it may be that the wanton of Belshazzar was the writing on the walls of the ascended sphere or arch of the new coven where doom is principally spoken, and the sense of safety is emphasized for the demons.
The false agnostic becomes the Anabaptist, and the skill is attached to someone ‘to know” and the false usury is emulated as in Galatians. The true agnostic makes the natural attachment for a truer science, and one that is aware of the diseases of the mind and body. This is not the adscititious adoption as with Christians of the befitting of altered perception and inability to separate one thing from another. They remain buried into the centerfold of one book in order to create a coven known as religion. It may be assimilated that the tsimmes in the form of a symbol shows a more accurate ideology of the concept of love that the Samoyed has assumed the reign of by the palindrome nature of the dog-god, and the self-eater who must mingle with those who remain in the same element. In the perceived usage of the ash tree, also known as Yggdrasil, the earth, heaven, and hell may hold exotic perplexities in sorting out the branches of Norse mythology that have been precariously painted on history.
The vignettes brought forward in history which create the scene assign the anxious and eager and the subtle boxing of the whetstone. Transformed, the oxygen becomes the edge between animosity and the truth that is buried in time.
Luke 11:12
Or if he shall ask an egg, will he offer him a scorpion?
Luke 11:34
“The light of the body is the eye: therefore when thine eye is single, thy whole body also is full of light; but when thine eye is evil, thy body also is full of darkness."
(Read all three parts included with "© The Dewclaw Project")
http://www.euthenist.org/euthenics/dewclaw.pdf
"The syllabus of the exalted Baal into a living Athena and the transformation of mythology into the living ancestors may serve as an aegis over laying truth. The observer or reader may assume these deities and figures were actual people when this is principally addressing the psyche, or third eye as previously noted. In the case of Athena who used Pallus for her aegis skin in which she is said to be holding a golden staff, it was decided to research a bit of the mythology for clues and correlations to the possibility that the bheid- root and Athena were the same remembering that the sphere and primary influence for the mind would also target this point of interest, as with the pineal gland and hippocampus, from Late Latin, a sea horse with a horse’s forelegs and a dolphin’s tail."
