(A chapter in time: revisions June 13, 2009)The Egyptian Mummy is depicted as holding her arms in the air which happens to be analogous to etymological history, and the jump that is made as sheep in the night.
The coffin or that of the sarcophagus holds a Vatican mystery in that one is always left open outside the chapel next to the elaborated cone, also known as the pine cone, or similarly that of the possibility of the Hydra inside the brain. Mythology and that of the “religious element” serves as a guide, but it also seems this requires great skill in navigation. This is described in the Egyptian mummy and coffin dating from the second century A.D. that is decorated with the 12 signs of the Zodiac. (click here to see large image)
The image of the ancient wooden coffin is from a book entitled, “Sun and Moon Signs” by Julia and Derek Parker in relation to the astrological sign of Cancer. In the depiction, the zodiac is divided into two rows, on the left it begins with the Capricorn and ends with the Lion. On the right, it begins at the bottom with Aquarius and ends on top with the Crab. When this is reversed, or mirrored, it at least in part matches the posited bios, or that of the wallflower arrangement when the zodiac is built into a geometric box instead of a flat circle in that certain aspects are made predominant.
According to the book, the 12 Labors of Hercules are the least celebrated in myth and legend. One does wonder why, as this particular story seems to be just the opposite with many correlations, especially religious elements that are strongly attached.
In this examination, there are numerous points of interest in relation to the etymological senses, and what is evident in the world around us, amidst the resulting consensus.
The story of Hercules presented by the Parkers is worth reading.
“The only association that has really been made is with one of the 12 labors that the hero Hercules was made to perform by King Eurysthesus, the ruler of Greece, after he had murdered is his own wife and children. Having consulted the Oracle at Delphi, Hercules learned that only by showing obedience to Eurystheus [1], could he atone for his crime. The second labor consisted of the destruction of the Hydra, a monster specially reared by the goddess Hera to fight him. It had the body of a dog, and nine snaky heads- one of which was immortal. Furthermore, its breath was so poisonous that anyone unfortunate enough to be exposed to it fell dead instantly. From its den in a marsh near Lerna in the Peloponnese [2], it would embark of the great orgies of destruction and killing, devastating innumerable herds and crops.”
Before jumping straight into the battle, it is wikipedia that classifies Eurysthesus as a magical animal or plant that is embedded between the Romanized concepts of Hercules and a masculine Heracles. These twelve labors or parts are however divided, and six are adorned to Olympia who in this sense, is likely adjacent in order, as with the lid on the coffin. Eurysthesus is also said to magically pop out of the jar, but there is no lid. [3] We may now sense the Roman Catholic element in relation to the coffin that has no lid. In this sense, it is a bad sign of the Hydra on the loose. This leads into the Biblical passages as led by Julius Pokorny in relation to the integument, which is also displayed as a small bug at the bottom of the Egyptian mummy.
The first leg of the etymological trail, it is the root (s)teg- Laodicean*, named in the effort of work that led directly to a Biblical passage that seems to reveal a method of worship, which is also related to the mummy, and the bios of wit. The American Heritage Dictionary which is the alignment for Pokorny directs us to Revelation 3:14-16. I have chosen King James as the reference.
“He that hath an ear, let him hear what the Spirit saith unto the churches. (14) And unto the angel of the church of the Lā-ŏd-i-cē’ans write; These things saith the Amen, the faithful and true witness, the beginning of the creation of God; (15) I know thy works, thou art neither cold nor hot: I would thou wert cold or hot. (16) So then because thou art lukewarm, and neither cold nor hot, I will spue thee out of my mouth.”
There are many things one could say in response, but it seems to be a message from the second epistle of John in relation to the usage of the word Amen, and in very negative terms along with the creation of the word God, as two of the top trouble makers of all time. And, the later may represent the dog with nine snaky heads analogous to the commandments which seem to possess hidden meanings. It is this masculine element that is of most concern, or the invisible lid which can be plainly seen in the image.
It is the Crab that assists Hercules but only after Hera sees that he is winning the battle. This can be associated with the depiction presented from the ancient Egyptian artists who painted and carved the ornate rectangular box for the mummy. In this sense, the Crab comes out of the water to meet the assumption of the Lion. This is celebrated on the day of August 15, about a month after the metopic journey from solstice to solstice. The Assumption is defined as the “bodily taking up of the Virgin Mary into heaven after her death”.
The true secrets to understanding the Cancer sign may lie in the story of the Spirit, and the lies perpetrated from the pulpit, where conscience has been put to sleep and the use of Amen has become the plague [4]. In Genesis, it is Jacob who struggles with the same battle, or an unknown man in Chapter 32. He is left alone while Esau passed over the ford Jabbok. They had already been instructed of the betwixt methodology. And, in verse 28, Jacob succumbs to the power of the looking glass, and Israel is born in its first usage in text presented.
It also seems these unknown entities or creatures were depicted as part of the journey, for if one looks closely at the lid of the mummy artistry, there are two lizard type creatures located at the bottom that seem to carry stones on their heads, and have erect phalli. Although this seems to hint at the possibility of sexual arousal, especially in relation to Jacob, it leans more to the relation to the Hydra, as the Capricorn has a tail of a fish, such as that of a whale. It is lizards who also come out of the water, or that which is known as the beauty spot, where Hercules, the Hydra, and Crab are depicted as if on the surface of a coin.
In following this mythology, the Aquarius prepares the way as the designer, which is depicted as two flat fish that remain perpetually bound to each other by a line starting off a bewildering animal journey in the stars. In the sense of what is depicted by the ancient Egyptians, the Capricorn has a journey that goes back in time, becoming the Scorpion King of balance possibly for a feminine love. There is also the strange image of an eel or snake just to the left of the Lion to be weary of.
A second leg in the etymological trail is that related to the Oracle at Dephi, which can easily be associated to the Dolphin who is bound to the water. The human plan however required lungs, or two flat-fish perpetually connected to the heart. But also, the water of life element as representative of the Spirit is transformed into Apollo, as young masculine rulers of law and corruption and as with the repeated assumptions of obscure propheticism. This results in the lifeless black-op for the mind where one sells its soul to the devil in exchange for power and knowledge which correlates to Eurysthesus, or the lid in etymology as leid- faust*, fauna*, which is marked by Julius Pokorny as page 666 in the 3rd Edition of the AHD. In definition, this is to play or jest in the mind as illusion, a senseless correlation to delude, as with the delta wave, or that of falling asleep when you are still awake, and many live out this state their entire lives unwilling to see truth staring them in the face.
To subject, the beetle may represent the elements that enter into the coffin to eat away the nihilism embedded there, to ensure nothing remains, in effect an attempt to cleanse the journey that is made at the point of death, but also in life. It is the beetle trail that becomes more difficult, as the insect itself also represents the bed of the tsimmes, another etymological mystery of words. It seems that this reference is aligning the bottom of the coffin, while possibly also the third sense of the word beetle, or that of a hammer, meaning “to strike” but also meaning footle, from Latin futuere, to have intercourse with (a woman),” and this is labeled as assimilation, and as the crab of greed nibbles at your feet, the evil Faust may turn you into a turbit, or a pigeon.
The etymological root bhau- files the juice with words of “abut” and “confute” representing part of the essence of the third beetle and includes the sense of the Old Swedish but, flatfish. A division aligns in the etymological roots beginning with the three bhares-, as in the splitting of grain. This is analogous to the brain, but also our three-dimensional reality, as associated with time, and this may be the woman that is of reference. The root bhau- follows with “to strike”, bhegw- to run, as in a phobia, followed by bhei- the bee. This continues with the fission of the split which defines the tsimmes element. It may be sensed at this moment whether the entity has a tendency of a bug or that of an insect to bite and sting from Old Norse biti; bit, crossbeam; or possibly one that is capable of harassing with dogs, from the Germanic baitjan, a curious word indeed. The bheid- gives the sense of a cow that constantly is chewing curd in the pasture, but the pasture is not anywhere to be found, almost an illusive abduction.
The bheid- root may in fact represent the column or tube of a perceived mechanism often seen or held in the hand of Pharaohs and other ancient beings, something referred to as the ankh, or ansate cross, possibly an acoustic device that is analogous to the pineal gland, and that of the third eye. The wedding begins with connecting the dots and other elements of etymology to reveal the trail of Hydra, as with the root wed-2- in the work routed to a page listing the ansate cross*. Here the epode may be many segments of living followed by a short Amen as with the stone-headed lizard beings that shadow the astrological and geometric celestial journey. The life may live in tragedy as the Ode, or three-parted structure.
The Hydra battle root is wed-1-, and this contains words such as “winter”, and “water”. According to the wallflower knowledge, to successfully assimilate Hercules, one may see the connection, or bridge the beetle represents. This may be seen in association with the division in the brain, while also the overlayment of the body, as with Jacob and others for the encasement of the queen bee.
In the King James Bible, in Genesis Chapter 32, it also states the following:
30: “And Jacob called the place Pe-nī’el, for I have seen God face to face, and my life is preserved.”
In this sense, Jacob becomes the mummy, and is preserved, and the good beetles never came to eat away the nihilism in his heart, as is clearly illustrated in the last passage of Chapter 32.
32: “Therefore the children of Israel eat not of the sinew which shrank, which is upon the hollow of the thigh, unto this day; because he touched the hollow of Jacob’s thigh in the sinew that shrank.”
It seems that in this story, our pineal gland is considered to have shrunk, and this is not surprising when one observes our conditioned world. To journey a bit further, the tsimmes is likely associated with the sine wave, or sinequanon, and the quantum reality. The reference to the hollow is also nested into the bheid- root, from the Old English bāt, boat, “dugout canoe”. It is Albert Camus, 1913-1960, who wrote the novel, entitled “The Plague”, who battled with absurdism, and the creation in one sense of the bead of water emulsified into reality. It is also the root that displays the meaning of the crown, as the bead of water splits into the ring upon hitting a surface through gravity.
Possibly in the sense, the hydrogen bond is made with the following root bheidh- which includes faith and the financé Apollo. This has led to the separation of conscience from faith, an elusive feeling of time itself and demonstrated by the enate greed and acceptance of death as food for the living. Thou shalt not kill becomes thou shalt not kill my greed.
It is Julius Pokorny who has led me to understanding the looking glass more carefully, especially since his work is rooted from the beginnings of the ab-sense, and opens the palindrome door of mystery and reflection. In ancient findings, the tomb of Rameses II is called the Great Temple Abu Simbel where one of four beings has been removed by thieves or weather which came out of the base of the Nile River, dug up and moved. It is also a period associated with the Exodus.
It is the sem- root and the group of bhel- that help to assimilate the relationship. The last group bhel-3- contains the flora that is hallow with blood. The wallflower knowledge also shows the second sem-2- is summer, and this seems to bring the solstices together, and the head of the mummy rests upon the nectary of the analemma, or the last days of summer before death begins.
Genesis 1:2
And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.
The sphere of the spirit is obviously powerful, as with the fullerene [5] and the wave-particle duality that is noted for its existence. For the nanotube reality, the hex is required, and whereas in the pentagon, no planar arrangement is allowed. It is the Greek mythological god of fire and metalworking that is named Hephaestus, or that of the guard for the heptad. Fullerine is often found in the soot of the flame.
It is both Heracles and Hercules that follow in the lexicon. The association of the hammer is revealed by the herb doctor with the Hercules’s club, called the angelica tree, the devil’s walking stick, and the prickly ash. The last clue about Hercules rests with the root it belongs to and its nine heads. The last word rings of the sarong that is played and wrapped around the mummy. One may ask which of the nine is immortal?
9-ablaut1-clio-hercules-leer-list1-listen-loud-umlaut1-sarod-et-kleu- to hear
(ablaut2 - apo-) (list2 - las-) (umlaut2 - ambhi-)
The abode of the empyrean is defined as “the highest reaches of heaven”, believed by the ancients to be a realm of pure fire or light. To follow the trail of etymology, it becomes analogous to the battle of the Hydra in which the story of Hercules is told for an era of deliberate fantasy and movement of the beauty spot and hiding of the arrows. Hercules battles the Hydra by bombarding it with flaming arrows in mythology, but the same exact feelings are experienced for each human being upon birth.
In etymology, the signals that are being sent in the lex are attuned to sound, and this is transformed into a thing, as an item. This particular item is a marker for the entire lexicon in relation to the elevation, or elevated reference to water as elevated into the eternal tree, or angelica tree, but also referenced as the leavening, as in fermentation, where in one sense, the being grows as a crystal and mark of the beast, and in another, the Hydra is defeated with the sound created when what is spoken or written ascends without the buckwheat, or triangular and pyramid ascension.
This type of ascension is described in root etymology by following the story from the sound of the first and second (bhā-1- Artemisia*; bhā-2- Arum lily*) and continuing to the bheid- where the split of the triangle seems to occur. Of course, it also seems that the tsimmes element is possibly considered a ring formation which should also be associated, as with the power of the bow sound displayed by the root bhāghu- which rests with the inquisition of the root group. The complete phantasm represents the transformation from the quill into the barb, and this can be associated with the sting of the bee given by the insect as a last resort that has changed into a biting bug that has left the tomb.
Strangely, it is the explosions that occur in food with available fuel [6], that serve as the wings for the machines that have become the power feed, as in the pervasion of enlightenment, a mystical line between reality and fantasy that has become a tool for uses other than what it originally was intended, as its strongest association is that of the well, or cellular lining surrounding the creation of mammalians. The marking of the quiddity that occurs in the lex is the buckwheat that may also represent the tree or branch that supposedly holds the balance of nature in tune.
The first instance of elevation of the Spirit of God on the surface of the water occurs with the island as with Peloponnese, which precedes not only in lex, but aligns with the Egyptian Mummy with the Aquarius as the designer with the root akw-ā or Germanic *aujō, “thing on the water”. The second instance occurs with the phobia “to flee in terror” (bhegw-) that is the aversive perception of good fortune in replication of the bheid-, from “to have a share of food” inverted into a piece bitten off as in a morsel.
The empty hole they seem to create, as with the nihilism of the air, is representative of the plague that comes out of the den that is near the marsh where Hydra is lurking, one that must open a book (bhāgo-) to receive a bearing or heading. The skyward representation is that of the big dipper that has no handle, and stands in the sky near the Lion and the Gemini as the constellation Cancer. Removal of the third eye is also seemingly referred to as phacoemulsification (bha-bhā- aruspex*), or the lentil-shaped object that adheres to the eye which can result in blindness. This blindness also rests within the interpretation, as with the laser that uses the lightning as a way of purging evil, and the first instance of sight of a new born baby that has been capable of receiving a signal prior.
The astronomy depicts a three-legged being in the sky which may mythologically transform, or grow a head that is analogous to the second Norwegian in etymology as described, from Old Norse- vegr, Norwegian, way, both sourced *wegaz, course of travel, way. This is a combination of the defined weight, which according to the work of tracing Julius Pokorny and his notes has revealed the reference for the classified “eye disease” and the graywackle that beckons an altered perception of fear.
The elevation of the leprechaun or cancer in the sky is marked by the carnival root legwh, which holds the leaven and the mystical relief that is carved on the mind, or as with the coffin, becomes the integument of reality and the “eye disease” arranging the vogue for the false prophet. This means nothing to the integument of the bug, for the context changes for the observer who now justifies torture outside the tomb unable to balance life itself, and seemingly only able to leave, as in leaf, having no bud or flower to present, in effect taking the leip- as the leaven bread.
In this case, it seems that heaven itself provides the acid for the surface of the well, and the well-being may have become Cyclops, the giant moving eye as in the story of War of the Worlds. However, there is much more to discern about the ghosts in the machine.
[1] 12 labor of Hercules; Eurysthesus; a magical animal or plant
http://en.wikipedia.org/wiki/Twelve_Labors
[2] Pelopnnese; island
http://en.wikipedia.org/wiki/Peloponnese
[3] Eurysthesus; wide-strength, son to the “victorious horsewoman” Sthenelus
http://en.wikipedia.org/wiki/Eurystheus
[4] Absurdism; Thank god
http://en.wikipedia.org/wiki/The_Plague
[5] Fullerene; buckyball
http://en.wikipedia.org/wiki/Fullerene
[6] Sodium hydrogen carbonate; from Latin sal æratus meaning "aerated salt"
http://en.wikipedia.org/wiki/Sodium_bicarbonate
Nahcolite monoclinic system
http://en.wikipedia.org/wiki/Nahcolite
Beeswing, crystallized matter left from wine making
http://en.wikipedia.org/wiki/Cream_of_tartar
Photo reference: © “Sun and Moon Signs - an indispensable illustrated guide to astrological characteristics” by Derek and Julia Parker page 161 reference © Michael Holford/British Museum
(Read all three parts included with "© The Dewclaw Project")
http://www.euthenist.org/euthenics/dewclaw.pdf
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